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	<title>Comments on: The Car Listen (Producer-Speak)</title>
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	<link>http://blog.fixyourmix.com/2009/the-car-listen-producer-speak/</link>
	<description>Recording Tips &#124; Production Trends &#124; Songwriting Analysis of Pop, Rap, &#38; Indie Rock.</description>
	<lastBuildDate>Mon, 26 Jul 2010 18:59:33 -0700</lastBuildDate>
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		<title>By: John</title>
		<link>http://blog.fixyourmix.com/2009/the-car-listen-producer-speak/comment-page-1/#comment-3684</link>
		<dc:creator>John</dc:creator>
		<pubDate>Tue, 20 Oct 2009 11:12:28 +0000</pubDate>
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		<description>Wouldn&#039;t hurt to give some tips on room treatment, either.  You know, for the layman with a basement room and a DAW.</description>
		<content:encoded><![CDATA[<p>Wouldn&#8217;t hurt to give some tips on room treatment, either.  You know, for the layman with a basement room and a DAW.</p>
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		<title>By: Phil</title>
		<link>http://blog.fixyourmix.com/2009/the-car-listen-producer-speak/comment-page-1/#comment-3606</link>
		<dc:creator>Phil</dc:creator>
		<pubDate>Mon, 12 Oct 2009 18:58:23 +0000</pubDate>
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		<description>Jonathan,

You are totally right about using it as a chance to get out of the studio for a change of scenery and to prevent cabin fever.  That inspires me to make a brief post regarding that.  Stay tuned...</description>
		<content:encoded><![CDATA[<p>Jonathan,</p>
<p>You are totally right about using it as a chance to get out of the studio for a change of scenery and to prevent cabin fever.  That inspires me to make a brief post regarding that.  Stay tuned&#8230;</p>
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		<title>By: jonathan</title>
		<link>http://blog.fixyourmix.com/2009/the-car-listen-producer-speak/comment-page-1/#comment-3593</link>
		<dc:creator>jonathan</dc:creator>
		<pubDate>Sun, 11 Oct 2009 19:02:50 +0000</pubDate>
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		<description>Other than  the waste of the CD-R, the biggest benefit during an attended mix session, in a time w/o the ability to take multiple breaks while the tape rewinds, is to get out of the studio and go for a drive. There&#039;s nothing worse than mixing with a band in the room and having to break your train of thought every 10 seconds when the band asks you why you&#039;re doing this or that. Sure, listening in the car is hardly accurate, but it also VERY QUICKLY gives you a chance, outside the &quot;lab&quot; to see where you stand in the real world. Ballpark. 

I think it was Eno, but maybe not, who had a radio transmitter so they could go for a drive and have the mix broadcast to them remotely, unscheduled, so they could hear it somewhat off-guard. 

Perspective is an important thing, the most important thing, and it&#039;s easy to lose when you&#039;re senses are turned on &quot;macro focus,&quot; and a drive in the country sounds like a great idea.</description>
		<content:encoded><![CDATA[<p>Other than  the waste of the CD-R, the biggest benefit during an attended mix session, in a time w/o the ability to take multiple breaks while the tape rewinds, is to get out of the studio and go for a drive. There&#8217;s nothing worse than mixing with a band in the room and having to break your train of thought every 10 seconds when the band asks you why you&#8217;re doing this or that. Sure, listening in the car is hardly accurate, but it also VERY QUICKLY gives you a chance, outside the &#8220;lab&#8221; to see where you stand in the real world. Ballpark. </p>
<p>I think it was Eno, but maybe not, who had a radio transmitter so they could go for a drive and have the mix broadcast to them remotely, unscheduled, so they could hear it somewhat off-guard. </p>
<p>Perspective is an important thing, the most important thing, and it&#8217;s easy to lose when you&#8217;re senses are turned on &#8220;macro focus,&#8221; and a drive in the country sounds like a great idea.</p>
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