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	<title>Comments on: Keith&#8217;s Crash Course on Modes For Self-Taught Musicians</title>
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	<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/</link>
	<description>Production &#38; songwriting analysis of pop, rap, &#38; indie rock.</description>
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		<title>By: Kyle</title>
		<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/comment-page-1/#comment-104209</link>
		<dc:creator>Kyle</dc:creator>
		<pubDate>Tue, 19 Jul 2011 10:02:37 +0000</pubDate>
		<guid isPermaLink="false">http://blog.fixyourmix.com/?p=1238#comment-104209</guid>
		<description>This is a refreshingly simple course on modes. If any one is interested here is a very helpful site that illustrates this visually:

http://randscullard.com/CircleOfFifths/

Also, it would be nice if you had a follow up post to explain pentatonics, harmonic minors, and borrowing chords in a way that is as easy to follow along as this.</description>
		<content:encoded><![CDATA[<p>This is a refreshingly simple course on modes. If any one is interested here is a very helpful site that illustrates this visually:</p>
<p><a href="http://randscullard.com/CircleOfFifths/" rel="nofollow" onclick="pageTracker._trackPageview('/outgoing/randscullard.com/CircleOfFifths/?referer=');">http://randscullard.com/CircleOfFifths/</a></p>
<p>Also, it would be nice if you had a follow up post to explain pentatonics, harmonic minors, and borrowing chords in a way that is as easy to follow along as this.</p>
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		<title>By: 12th June 011 /Adelaide &#124; james fahy</title>
		<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/comment-page-1/#comment-104022</link>
		<dc:creator>12th June 011 /Adelaide &#124; james fahy</dc:creator>
		<pubDate>Tue, 19 Jul 2011 01:36:25 +0000</pubDate>
		<guid isPermaLink="false">http://blog.fixyourmix.com/?p=1238#comment-104022</guid>
		<description>[...] sixths. We covered a year’s musical academia in our Adelaide week, and in a whirl of tea, chess, theory, youtube karaoke, and three-dollar chocolate Bavarian straight from the freezer, our magic week had [...]</description>
		<content:encoded><![CDATA[<p>[...] sixths. We covered a year’s musical academia in our Adelaide week, and in a whirl of tea, chess, theory, youtube karaoke, and three-dollar chocolate Bavarian straight from the freezer, our magic week had [...]</p>
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		<title>By: Keith</title>
		<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/comment-page-1/#comment-6444</link>
		<dc:creator>Keith</dc:creator>
		<pubDate>Mon, 08 Feb 2010 23:59:53 +0000</pubDate>
		<guid isPermaLink="false">http://blog.fixyourmix.com/?p=1238#comment-6444</guid>
		<description>@Dan- not sure if I understand your question, so I&#039;ll just give you as much information as I can. You can play an F Lydian scale over any chord in the C major progression because they contain the same notes. Your ear may not recognize it as Lydian though, unless it&#039;s over an F major chord.

Lydian is considered a &quot;mostly major&quot; mode because it has only a one-note difference from the major (Ionian) mode: the major mode has a perfect 4th while Lydian uses a tritone. For example the only difference between C major and C Lydian is F versus F#, respectively. You could technically play C Lydian over a C major progression if you only use the chords which do not contain F natural, but if you&#039;re doing that, you technically wouldn&#039;t call it C major anymore, you&#039;d call it a &quot;modal mixture&quot;–the song has temporarily moved from C major to C Lydian. Hope this helps.</description>
		<content:encoded><![CDATA[<p>@Dan- not sure if I understand your question, so I&#8217;ll just give you as much information as I can. You can play an F Lydian scale over any chord in the C major progression because they contain the same notes. Your ear may not recognize it as Lydian though, unless it&#8217;s over an F major chord.</p>
<p>Lydian is considered a &#8220;mostly major&#8221; mode because it has only a one-note difference from the major (Ionian) mode: the major mode has a perfect 4th while Lydian uses a tritone. For example the only difference between C major and C Lydian is F versus F#, respectively. You could technically play C Lydian over a C major progression if you only use the chords which do not contain F natural, but if you&#8217;re doing that, you technically wouldn&#8217;t call it C major anymore, you&#8217;d call it a &#8220;modal mixture&#8221;–the song has temporarily moved from C major to C Lydian. Hope this helps.</p>
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		<title>By: Dan</title>
		<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/comment-page-1/#comment-6443</link>
		<dc:creator>Dan</dc:creator>
		<pubDate>Mon, 08 Feb 2010 23:41:22 +0000</pubDate>
		<guid isPermaLink="false">http://blog.fixyourmix.com/?p=1238#comment-6443</guid>
		<description>Hey Keith, love the article, found it explained it really well.  Just have a quick question..
If you&#039;re in C Major and you&#039;re playing the Lydian Mode, what chords do you play that over..?
If for example I played it over say F,Am,C,G (or any chord sequence in the key of C) it kinda sounds just like a C major scale..?? 
Cheers, Dan</description>
		<content:encoded><![CDATA[<p>Hey Keith, love the article, found it explained it really well.  Just have a quick question..<br />
If you&#8217;re in C Major and you&#8217;re playing the Lydian Mode, what chords do you play that over..?<br />
If for example I played it over say F,Am,C,G (or any chord sequence in the key of C) it kinda sounds just like a C major scale..??<br />
Cheers, Dan</p>
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		<title>By: FixYourMix</title>
		<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/comment-page-1/#comment-1969</link>
		<dc:creator>FixYourMix</dc:creator>
		<pubDate>Sat, 27 Jun 2009 09:45:39 +0000</pubDate>
		<guid isPermaLink="false">http://blog.fixyourmix.com/?p=1238#comment-1969</guid>
		<description>The short answer is that the root chord of a Locrian song is a diminished triad, which is considered too unstable to sound like &quot;home&quot; because of its tritone interval.

Here&#039;s the long answer:

http://blog.fixyourmix.com/2009/tritones-why-locrian-mode-doesnt-exist/</description>
		<content:encoded><![CDATA[<p>The short answer is that the root chord of a Locrian song is a diminished triad, which is considered too unstable to sound like &#8220;home&#8221; because of its tritone interval.</p>
<p>Here&#8217;s the long answer:</p>
<p><a href="http://blog.fixyourmix.com/2009/tritones-why-locrian-mode-doesnt-exist/" rel="nofollow">http://blog.fixyourmix.com/2009/tritones-why-locrian-mode-doesnt-exist/</a></p>
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		<title>By: FixYourMix</title>
		<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/comment-page-1/#comment-1865</link>
		<dc:creator>FixYourMix</dc:creator>
		<pubDate>Wed, 24 Jun 2009 05:31:26 +0000</pubDate>
		<guid isPermaLink="false">http://blog.fixyourmix.com/?p=1238#comment-1865</guid>
		<description>@Erlend: I am working on a post to answer your question.</description>
		<content:encoded><![CDATA[<p>@Erlend: I am working on a post to answer your question.</p>
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		<title>By: Erlend</title>
		<link>http://blog.fixyourmix.com/2009/keiths-crash-course-on-modes-for-self-taught-musicians/comment-page-1/#comment-1806</link>
		<dc:creator>Erlend</dc:creator>
		<pubDate>Mon, 22 Jun 2009 10:12:09 +0000</pubDate>
		<guid isPermaLink="false">http://blog.fixyourmix.com/?p=1238#comment-1806</guid>
		<description>I like to think of all music as modal, because it helps me to think root notes, and different possibilities for chord extentions in composition. I basically think of any dominant/ bidominant chord as some version of mix or alterated chord instead of a sign of major/ minor tonality. But that&#039;s me.

I was just curious: Why can&#039;t we hear in locrian? 

And haha @ &quot;play dorian over everything and people will think you’re hip.&quot;</description>
		<content:encoded><![CDATA[<p>I like to think of all music as modal, because it helps me to think root notes, and different possibilities for chord extentions in composition. I basically think of any dominant/ bidominant chord as some version of mix or alterated chord instead of a sign of major/ minor tonality. But that&#8217;s me.</p>
<p>I was just curious: Why can&#8217;t we hear in locrian? </p>
<p>And haha @ &#8220;play dorian over everything and people will think you’re hip.&#8221;</p>
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